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'It Was Quite A Distance' by Margie Craine Neilson

She measured distance, not in the usual way, not in the way that most people measured distance. Not by inches or by centimeters, not in miles or kilometers and certainly not by longitudes or latitudes. Not even by the long city blocks of her old neighborhood did she measure distance. No - she measured distance by light and shadow. By the varying degrees of bright summoned by the slow rise and descent of the day's sun. She measured distance by the blue black arch of shadows cast by an evening's moon. And she measured distance by music: short crisp punctuated notes, or long sinewy drawn out tones. Distance could be measured by the shades of soft green produced by Enya or the driving piano rhythms of Fats Waller. It could be measured by the hot feeling of red she got when her mother forgot to come see her or by her warm pink feeling when she stroked the soft fur of the kitten down the street. Sometimes distance could be measured by the boring beige tune of a carrot and peas medley orchestrated in the cafeteria down the hallway. And distance measured in these ways assured her that she would always be able to tell just precisely how far she had come.

'Dorsey & Lynette' by Earl Phillips

Dorsey sat at his table under the awning in front of the Latte Lounge & Cafe, adjusted his horn-rimmed glasses, allowed his fingers to climb over the brown lunch bag holding two containers of fast food that he bought from the side window of the Cafe on Orinda Street, as he did six days a week during his lunch hour. Without a second thought he pushed aside the dull gray box of specially machined bolts he had to deliver after he ate, and wiped his palms on the knees of his work pants, stained by machine oil from the shop that never washed away.

He'd received notification today that his divorce was final.

Lynette stared out of the front window of the Orinda Restaurant while she waited to be served, as she did every day during her lunch hour, and as usual noticed Dorsey across the street going through his lunch routine under the awning at the outdoor table.

While Dorsey ate his lunch he watched the small birds that regularly busied themselves around the row of small oak trees planted across the street by the Orinda Street Merchant's Association. He also watched Lynette eating her lunch behind the plate glass window of the restaurant. She was always neatly dressed for the business office and always had a book open on the table which she read as she ate, occasionally glancing out the window. Their eyes had never met and she gave no indication she ever noticed him. Dorsey was conscious of the light and shadow that played across her attractive face, highlighting her dark brown bobbed hair and metal rimmed glasses.

He had been watching her for months. At night he dreamed about her, in the morning he lay in bed fantasizing about her, and every day was impatient at work for lunchtime and then hurried to the Cafe.

Meanwhile, Lynette was thinking about her divorce which had been final for months, thinking about marriage in general, conscious that Dorsey always watched her. When she looked up he was gone. After lunch, on the way back to work, she walked past the Cafe.

The next day Dorsey walked past the Orindo Restaurant and looked in the window as he passed. She wasn't at her table. He turned, went inside and sat at the same table where she usually sat. He ordered lunch from the menu, looked out the window, noticed the small birds around the oak trees, and glanced across the street to his usual table under the awning at the Latte Cafe.

Lynette was sitting at the table eating her lunch from a brown bag.




'Celtic Spirit' by Lisa Boisjolie

When the full moon sits on the coastal mountains I allow myself once again to slip away to the place I have known since childhood. A land of another time and a different continent than mine. Even though I was born an American, my French father and my Irish mother instilled in me a love for the homelands of my grandparents. Though my blood lines may be equal, I feel a bond to my Celtic lineage.

Mary Jacob was born in Belfast of Northern Ireland: A woman who taught school, ran her late fathers' farm and attended the university to further her curiosity in philosophy. All at the same time. When she decided she wanted a husband, and not any of those blasted drunks found down at Shays' Pub, she chose to sail over the muttering waves of the north channel to Scotland. In less than a year she and her new husband journeyed the gale force back to Belfast.

Five children and three grandchildren later, she became my grandmother. She taught me of her Ireland. A place where you ramble along the purple moor to where the moon meets the sea. At night, the Belfast Lough casts its sapphire waves toward the ribbon of moonlight that leads home.

A stone house nestled in the woodlands is her home. For more than two hundred springs, gusty winds have beaten against its chanking shutters. In this stone and mortar home I learned to love that country through her words and feelings.

My grandmother had an insatiable desire to show me the Ireland that bore, raised and nurtured her into the woman she came to be. From this devotion she hoped I would grow to know and treasure my Celtic heritage just as she had. It was from these shared times I felt not only a connection to Ireland but came to know the part of me that was of my grandmother: the strong will, love of life, Irish blue eyes, and an off-beat sense of humor, all distinctively from her.

She spoke in a thick brogue which seemed to become thicker whenever she would speak of her beloved home. She loved to tell of her many chats with the "lil' music man." She explained how he would only come out to sing and dance and play his fiddle for children. I was told, "That nonsense of rainbows and gold is just pure foolishness!"

Over the many years I spent holidays and vacations with her, I enjoyed rising in the early morn for a chance to see the little fiddler. Dressed in trousers, wool sweaters, knit cap, and rubber boots that went up to the thigh,I would set out with my grandmother searching for the clever little man. Although he eluded us, the ventures were always brimming with endless delight. My wee friend would lead us down the familiar path bordered in violets. Just as I felt I could hear his song, he would dance away into the shadows of the cypress trees. As we wandered back, Gran would tell me more stories of her childhood and the great adventures her father had shared with her of his days as a merchant seaman.

The celebrations I experienced in Ireland I have never matched in my country. Always with good-hearted people, eating and drinking and making merry while the dark veil of night feel upon us. We danced and laughed until my glazed eyes told tale on me. I would be ushered to my grandmother's home to a tall narrow bed with time-worn blankets and chilly sheets.

As a young woman, I found my taste in Celtic men to be that of my grandmother. I so enjoyed their company, laughing and jesting with them as I drank their ale. I always took great enjoyment in harmonizing with Shamus Morgan and his pals, but to commit my life to any of them surely would have meant death for one of us!

It was in Ireland that I learned to appreciate music filled with passion. Be it great joy or heavy sorrow, the feeling was expressed strongly in the music, stirring my feet as well as my emotions.

As my fast-paced American days seem to spill from one into the other, I continue to feel the pull for refuge in my grandmother's homeland. I long to look upon the green pastures separated only by twining roads, to hear the enchanting sounds of tin whistles and fiddles, to dance with the cherished music that has soothed Irish souls for centuries, and have it once again clear the brambles of my mind. Some days, I would give my citizenship to sit in Shays' Pub where the talk and laughter is so loud and dense it is impossible to worry or contemplate on anything more important than the warm ale.

When I see the full moon sit on the coastal mountains I long to touch the iron handle on the thick ewe door that opens to my ancestors' home.


POETRY & PROSE ANNUAL is an annual literary journal publishing poetry,
prose, fiction, non-fiction and creative non-fiction, graphics, and photographs
by new and established writers and artists.

© Copyright by POETRY & PROSE ANNUAL All rights reserved.
All original material published in this journal remains under the copyright protection
as titled by the authors. Poetry & Prose Annual retains reprint rights and material
may be published in the Poetry & Prose Annual website.

Published in the United States of America by GOLDEN MEAN, Publishers.

Printed in the USA. ISSN: 1091-4625

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