Image_Golden Rule


'Punk Theatre At The Paris' by Rich Seward

"They're called Difiance and the flyer for the Paris Theatre had a guy with a mohawk on it," I said. "There's like three other bands playing with them, never heard of any of them, but they have cool names."

"Oh yeah? Like what?" Josh asks.

"Triphammer, Xclear and Secludes or something like that. Sound like good bands to me...What about you, Cory? What you think.?

"Defiance sounds cool. All I know is I wanna do something."

On that note we take off, headed for a store, where Cory goes in and buys six forty ouncers of malt liquor. Being only nineteen, he gets a kick out of buying beer for us older guys. "Hold those fuckers down!" I snap as they crack bottles and start racing to see who can chug fastest. At about the halfway mark, both have to stop to take a breath and show me their bottles. I call it a tie, and pull out of the parking lot, headed for downtown.

"Gawd damn, look at all the mohawks!! Cory yells, and throws an empty forty once bottle out of the window as we drive by the line out front. "Sweet. I told you this would be a good show, I haven't seen this many mohawks in one place since like '90," I say.

"I don't know if this is such a good idea, guys," Josh smiles, "I mean look at us, we are all dressed like yuppies an stuff. Maybe I better finish this other forty before we go in," he says, tipping the bottle up.

We park, and I wait for them to finish off their second beers, and I realize how right Josh is...We really look like some kind of preppy fags. I am in khakis and a wife beater, Cory is wearing khakis and a Polo shirt, and Josh in Calvin Klein jeans and a white Beastie Boys T-shirt.

"Oh yeah Joshie Boy, we are gonna have to get some respect quick in there or we will be gettin' targeted as fakes. You know what to do, just go all out...How about you Cory? Your neck hurting tonight?" His neck had taken a beating at the Rage Against The Machine concert about a year ago, and he hasn't been the same since. "You gonna get it up tonight? You gonna get jiggy with it?"

"Yeah Cory, does your neck hurt??" Josh laughs, socking him in the chest, to which Cory reacts by socking him back and we stand on the side of Burnside in downtown Portland while they take turns slugging each other about six punches each. Luckily there comes a break in traffic before anyone gets hurt, and we dash across the street. We have arrived.

The Paris Theater. This place has so much atmosphere it's crazy. Black painted walls with this funky glow in the dark with Arabic or Chaldean writing on it, whatever it is it gives it a weird black magic kind of look. The Paris Theater. You can count on them having a skanky little mosh gig on any given Friday or Saturday night.

We are out of place. There are about 150 mohawks here, a bunch of short spikes, and many shaved heads. My boys laugh at me as I rave about how beautiful the girl that just walked by with a mohawk is. But we are getting crazy looks...Punk rockers don't like yuppie looking people too much, which is funny, because most modern punkers are suburban kids from good families. There might be a social ramification there, something about how these people feel about their suburban roots, but we were just here to dance.

Cory decides he isn't going to get in the pit tonight, I think maybe because he sees all the spike leather jackets and is worried about his skin. He has been to a lot of slam gigs, but the spikes make him leery. Josh and I start taking bets on who will hit the first stage dive, me or him...I play along, knowing full well that it will be me who boosts him over the crowd to the stage, but let him think we are competing if that makes it more fun for him. I remind him "Hit 'em hard!!" as the band comes on stage, spikes, studs, torn clothes, purple mohawks and Liberty spikes.

As the music starts, I begin to nod my head, feel the muscles in my back tighten and my fists clench and unclench. Oh yeah, the bass player knows how to drive us, I think as I see a few people start bumping around. The tempo picks up as the lyrics end and the drummer starts kicking the double bass. Unable to wait any longer, I spit at the stage and throw myself into the thickest crowd I see.

I spin and bounce into the crowd, careening off of the shoulders and backs of these punks who are looking at me all crazy, until I am hit with bone jarring force from behind. That was what I had been waiting for, and I used the force of that hit to propel me into someone else, who in turn was slammed into someone, who threw them away and into someone else. The pit begins to boil, but I see Josh, slamming into some guy about twice his size, and I launch myself across the floor, spinning at the last so its my back that hits the guy as he is recovering from Josh's bump, continuing the spin as I come off of him and smash into Josh, who slaps my back and roars something as I am slammed from the side and lose my balance into the crowd of losers who are just observing the pit. They push me back in violently and I decide I don't like these people pushing me around, so I start "Scraping the edges" as we used to say, working my way around the outside of the pit, leaning on my shoulder against the people packed around the edge, when they try to push me grabbing them and spinning them into the pit to either swim or drown.

I turn from flinging some skinny kid in spikes with green hair and way too many piercings to see my nephew, Cory, stumbling in the middle of the pit with his head in his hands. I know he is hurt, he looks disoriented. I panic and cross to him, wrap my arms around him and push him into the crowd. "Recover man, get your head, you're all schwilly," I scream in his ear as I hold him pressed up into the crowd.

"Ohhhh man," he groans, "the back of my head hit someone's face. If my head hurts, their face has to be fucked up." And I start laughing."You will be OK, man...Do you know what he looks like?"

Cory looks at me like I'm retarded and says, "No, man, it was the back of my head, but I bet he looks pretty bloody about now. Oh well, he shouldn't have been in the pit."

I slap him on the back, "That's right bay-bee, if you can't swim, stay out of the deep end, there ain't no fuckin lifeguards...Give me a push!!" He shoves me and I add my momentum to it and reenter the pit.

On the next song, Josh grabs me, and screams "Give me a boost!" in my ear. I crouch down and cup my hands for his foot and up, up and away, he rolls over the crowd and onto the stage. The look on the singer's face is worth a million bucks as this preppy looking guy grabs the arm that is holding the microhone and screams something like "Rarraraghar" into the mic before doing a flip onto the top of the crowd. Not to be outdone, I pull myself over the shoulders of some fat guy that is standing too close to the stage, turn on stage and look for a landing zone with a thick crowd as the security guy rushes at me yelling "Get off the stage, fucker!" and I just nod and grimmace, and we make our way through the boiling, bruised pit to the spot where we can get on stage again.

Between songs, I see a guy with a bloody face with what appears to be his big brother talking to Cory. It doesn't look friendly, and as I make my way to him, big brother shoves Cory in the chest. Cory raises his hands in what appears to be a conciliatory gesture...He learned that from me, it means he is getting ready to throw punches, so I jump between them, chest to chest with this shaven-headed big guy.

"Tis all fun an games bitch," I scream, "you wanna fuckin get wicked? You wanna fuck around?!" I see surprise and uncertainty flash across his face at my appearance, and he takes a step back. Something catches my eye, or maybe it is just a flash of some kind of instinct, but I look to my left and see a group of about eight guys advancing on where we are. I spin away from the big brother guy and meet this new group halfway, my arms spread wide, "You wanna turn this into a crew thing?! Who's first, fuckers?! There is a guy with Liberty spikes and studded, torn, black denim jacket screamin something I can't hear, but the contortions of his face tell me it is aggression. Next to him a blond guy with a crew-cut, hands in the air shaking his head like he just wants to break it up, a few girls behind the guys, grabbing at them, doing the typical"no honey don't" routine. "OK, bitch, you're first," spits from my mouth as I plant my fist in the Liberty spiked guy's face. He falls like I hit him with a brick, and I hurl my body into the rat-pack.

Elbows, fists, knees, head, boots, I release and let the rage take control, knowing that I can't win, but at least I am going to go out like a champ, forgeting what it's even about, forgeting where I am, who I am, barely registering administered and received blows until I feel a hand grab the back of my neck and the back of my arm connect with a face. I spin away from the grip and turn to deal with this new presence, and a microphone is jammed in my face as the hand pulls my head down and towards the singer's face, his head next to mine, roaring unintelligibly into the mic. He pulls the mic from his face and sticks it in mine and I realize I am still screaming stuff when I hear my voice come over the PA screaming threats and taunts to my attackers, or maybe even my victims, but no one is hitting me anymore. They have all faded away, except for the first guy I hit, who is still on the floor. The moment is broken, I look back to where Cory and the big brother guy would be, but Josh and Cory are right behind me, bloody smile on Josh's face and Cory's Polo shirt torn, no aggressors to be seen.

"You guys can't be fuckin killing each other!! the singer screams as my boys wrap their arms around me, raving about how beautiful that was, "Like sumthin out of a fuckin movie," Josh keeps saying and Cory shaking his head in disbelief that I am still on my feet. Later I will see that I am covered in bruises, swollen spots, torn skin, but right now the only damage I am registering is a bloody mouth and a small trickle from my nose. Somehow, we have ended up right next to the stage. I guess people make way for you after a show like that, because we didn't have to elbow through anyone, and I throw my head back and laughing like a maniac spit blood into the air and howl. I raise my arms, feeling like some kind of god, a hero of old, still not quite sure I believe what just happened. I feel someone grab my hands and I look up to see the bass player with his bass slung around his back, trying to pull me up on stage. Cory throws a shoulder under me, and I am up, the base player laughing, smiling, saying stuff I can't hear, pounding me on my back and raising my arm like a prize fighter. The bass drum kicks, and he drops my arm, swings his bass around and starts jamming out an opening riff. I look at the security guard who is keeping his distance, nod my head, smile my bloody smile, and dive on to the crowd.


POETRY & PROSE ANNUAL is an annual literary journal publishing poetry,
prose, fiction, non-fiction and creative non-fiction, graphics, and photographs
by new and established writers and artists.

© Copyright by POETRY & PROSE ANNUAL All rights reserved.
All original material published in this journal remains under the copyright protection
as titled by the authors. Poetry & Prose Annual retains reprint rights and material
may be published in the Poetry & Prose Annual website.

Published in the United States of America by GOLDEN MEAN, Publishers.

Printed in the USA. ISSN: 1091-4625

TOP OF PAGE

Image_Golden Rule

Button_HomeButton_BackNext_Btn